A cover story in the Washington City Paper looks at debutante balls, noting that "debutantes don't come and go; they just keep coming." After reading the piece, well, now we definitely understand their enduring appeal: Even without formal training, some of society's newest additions appear as well-versed in the subtle varieties of rump shaking as the waltz. There are two basic stances, crotch-to-crotch or crotch-to-ass—unless there's a three-way going on. . . Once a dancer has that down, the next step is ass cupping, a skill that demands a solid grip and a total lack of inhibition. . .
D.C.'s Debs
D.C.'s Debs
D.C.'s Debs
A cover story in the Washington City Paper looks at debutante balls, noting that "debutantes don't come and go; they just keep coming." After reading the piece, well, now we definitely understand their enduring appeal: Even without formal training, some of society's newest additions appear as well-versed in the subtle varieties of rump shaking as the waltz. There are two basic stances, crotch-to-crotch or crotch-to-ass—unless there's a three-way going on. . . Once a dancer has that down, the next step is ass cupping, a skill that demands a solid grip and a total lack of inhibition. . .